Eight-Pointed Star

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Eight-Pointed Star Julia Altshuler 05-29-2008
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Posted by Julia Altshuler on May 29, 2008, 2:42 pm
We are now in possession of a quilt made by Jim's grandmother. She
would have made it when his mother was a child. His mother says she
doesn't remember when her mother made that particular quilt because
quilts were being made all the time, but it does look familiar to her.
After Jim's grandmother's death, the quilt went to one of his aunts.
After that aunt's death, a cousin kept it for him in Ontario until the
recent family visit brought us to that part of the world for a visit.
We've got it now along with a wonderful collection of other well-loved
and well-used serving and kitchen stuff. There's no reason to believe
any of it is valuable or rare, but it sure is old and cool.


The block is Unknown Star, Pierced Eight-Pointed Star, Star upon Stars,
or Virginia Star. It's on page 105 of Jinny Beyer's _Quilter's Album of
Blocks and Borders_. I've looked for an example online to point y'all
to but can't find one. Here's the best I can explain it. Imagine
taking 8 simple 4 patches and stretching them into 45 degree diamonds.
Then arrange the diamonds with a dark patch of each towards the center.
You have a big 8 pointed star. Now place the star in a square, and
you have the block.


Jim's grandmother's example is done in solid white and solid yellow. I
don't know the original color of the yellow, but it's now a lovely
buttery shade. It may have faded to that. It's handquilted with a
binding machine sewn on. The binding is showing wear. There are 12
blocks, 3 x 4, with 2" white binding between them. I haven't measured
it yet, but I'd guess it's 50" x 66".


The Beyer book says the pattern first appeared in print in _Quilting_ in
1934. Jim's grandmother could have gotten the pattern from there, but
she might also have come up with it independently. Jim's mother called
it "one of Mother's patterns" and couldn't tell me more about the quilt
in particular. She said that her mother belonged to a church quilting
bee where they got together regularly to quilt one another's quilts, and
she could describe the frame, so she knew about quilts in general but
not this quilt in particular.


Part of the charm of this quilt is the way the blocks evidently came out
different sizes. The points meet up perfectly in the centers of the
blocks, but some got chopped off before meeting the border.


I wish I could point you to an online picture. It might be a while
before I can a digital photo for y'all to see. In the mean time, anyone
know what I'm talking about? Anyone know of other quilts like it or
have related stories to tell?


--Lia


Posted by Polly Esther on May 29, 2008, 11:40 pm
What a treasure, Lia. I don't think you've said whether you intend to
gently display this beauty or if you would like to pass it on to someone in
years to come. Either way, perhaps you'd want to do a history label of the
quilt and gently handstitch it to the back.
There are a few things here that we need to label, regretfully none of
them a quilt, but we have great grama's wash bowl and pitcher, a pair of
bookends that are a couple of hundred years old and a very few other things
that we hope would be kept instead of tossed or sold at a garage sale.
No guarantee, of course, that your precious quilt won't wind up wrapped
around a refrigerator in the back of a pickup truck but at least she could
ride with dignity. Polly


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Posted by Polly Esther on May 29, 2008, 11:55 pm
Just talking to myself here but I do that some.
If you decide to print a label for your quilt, I can happily recommend
Printed Treasures. Of course, you could hand embroidery the whole thing but
probably not. If you use a fabric sheet for the label, you will make the
project much kinder to yourself if you will frame it with a quilt fabric.
Those printed sheets are really tough to attach with handsewing. Polly


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Posted by Julia Altshuler on May 30, 2008, 3:09 pm
Polly Esther wrote:
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I hadn't thought of a label, but you're correct that one is in order. I
hadn't thought of how to display it either. That's something of a sore
subject around here. I'd like to put things on the walls, quilts or
paintings or shelves, but Jim doesn't want to display anything until
we've painted, and we can't paint until we've redone the floors. Floors
shouldn't be done before paint, and there's the addition to be thought
of which can't be done until we've torn down the crumbling doorless
garage. For that reason, we can't do landscaping, and landscaping
should be done after exterior paint. Oh my, you did get me started.


I've learned that the farm where Jim's mother grew up didn't have
electricity until the mid 1930s when she was in her teens. They carried
water for cooking from the well. No electric pump. They bathed in
water from a cistern. There was a handpump on rudimentary pipes for
that. It changes my picture of things. My parents were poor growing up
in that period too, but they were city folk. They had no nice furniture
or dishes or quilts to pass along, but they did have good city public
schools (including high school), electricity and heat in tiny
apartments, and quality entertainments in the form of free performances
in public parks and a great public library system. Contrast that with
the rural equivalent which included beautiful china , silver plate
serving dishes, hand stitched quilts-- and daughters who thought nothing
of carrying water from a well, picking berries and milking cows.
There's a lot to think about here.


--Lia


Posted by Roberta Zollner on May 30, 2008, 11:48 am
On the last page of Ruby McKim's "101 Patchwork Patterns" is Blazing Star,
looks exactly like what you describe. This is a Dover reprint of a 1931
book.
Roberta in D

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