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Posted by Leslie& The Furbabies in MO. on September 19, 2009, 9:10 pm
EP, I'm a thumb quilter- or I was back when I could still do hand quilting.
(Severe arthritis) Many shudder at that.. you are *supposed* to use your
middle finger for The Push. But the point is- nobody knows how you made
your stitches. As long as they go thru all layers, are the same size on
front and back and are all approx. the same length that's what's important.
Do it the way that works for you.
Leslie & The Furbabies in MO.
show/hide quoted text
> That's beautiful, Bobbie. Thanks for sharing.
> The small project I'm doing right now is based on a Welsh pattern. The
> Welsh historically "butted" their edges instead of binding them, which
> looks really pretty. The Welsh also preferred longer stitches than the
> tight quilting we prize now. It just goes to show you, there's more than
> one way to make a beautiful, beloved quilt. "More than one way to skin a
> cat," as my mom would say.
> I've read a lot of stuff about some quilters load their needle with
> several stitches and others use a "show stitch" where the needle just
> punches up and down. I'm learning that I might as well use the stitching
> style I've used for for decades for my other needlework. Despite the fact
> that I'm right handed, I am used to having my right hand under the canvas
> (now, the quilt) and my left hand on top. I wear my thimble on my right
> ring finger, and I punch up and down. I'm quick this way -- as quick as I
> think I could ever get with loading my needle or changing my hands. I'm
> used to making even, neat stitches a lot more complicated than a running
> stitch this way. And I've been making my end knots the same way I do for
> embroidery and mending, but with a longer tail to crawl up into the
> batting after I drag the knot in. Whatever works, I figure. And I'm set
> in my ways. I propose to follow your example and do whatever I'm
> comfortable with and like the looks of.
> ep
>> Edna, most all the bed quilts I've made have been the very simple
>> checkerboard blocks, or rectangles surrounded by a plain color. My
>> cereal box template squares start at 4" and go up to 12". I also have
>> 1/2 squares in some sizes and also rectangles. I haven't gotten bold
>> enough to make the other type quilts. The bed quilts you might see on
>> "Little House on the Parrie" look "fancy" compared to mine. But my
>> quilts are loved and used---even the scrap quilts. I also have made the
>> panel quilts for cribs and simply birthed them, or just sew the edges
>> with the serger. HTH
>> Barbara in SC
>>>I thought I'd try my hand at making my own templates out of some plastic
>>>I had lying around and an exacto knife. To quote the immortal words of
>>>another quilter here in another context: "I'd rather rope goats." And
>>>the result is awful.
>>> It looks to me like the easiest way to mark fabric is to mark it before
>>> I quilt it, using a light box (or, in my case, a glass table-top) to
>>> trace the design on the fabric. (Unless, of course, I'm using
>>> store-bought templates, which seem to work pretty well.)
>>> What say you? (I apologize for re-covering ground that has doubtless
>>> been covered a zillion times before, here.)
>>> EP
>
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Posted by Edna Pearl on September 19, 2009, 9:29 pm
show/hide quoted text
> nobody knows how you made your stitches.
LOL - reminds me of Julia Childs as she picks a chicken up off the floor:
"Nooobody knooows what happens in the kitchen."
ep
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Posted by dealer83 on September 19, 2009, 9:54 pm
wrote:
ws:7hldplF2u6un6U1@mid.individual.net...
show/hide quoted text
> > nobody knows how you made your stitches.
> LOL - reminds me of Julia Childs as she picks a chicken up off the floor:
> "Nooobody knooows what happens in the kitchen."
> ep
Didn't I read in this group awhile back that one of you used Press N
Seal saran wrap on the top of their quilt? They'd draw out the design
they wanted on it, press it to the quilt, sew on the lines, and then
tear it away. I just bought a box of this but haven't tried it yet.
You could get pretty creative using it if it does tear away easily. A
friend of mine has access to old X-ray film sheets and she makes all
her templates out of those and loves them. Donna
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Posted by Bobbie Sews More on September 20, 2009, 5:56 am
Prehaps you mean the Freezer Paper instead of the plastic Press N Seal. The
plastic will melt if you try to iron it.
Barbara
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Posted by Sally Swindells on September 20, 2009, 6:45 am
No, Press and Seal does work brilliantly for Quilting - you don't need
to iron it, it just sticks to the fabric on its own. You mark your
pattern with an indelible pen and when it is really, really dry just
follow the lines. It does tear away really easily.
However, beware using it this way on a white or pale quilt as the needle
can still pick up odd tiny bit of the marker pen. Don't ask - but my
Bluebird wall hanging has more appliqué now than was intended! However I
will be using it for my starry night quilt, especially for the dark border.
You can also use it to hold down a paper or tissue paper template while
you quilt through the P & S and round the template - no risk there! Then
just tear off, bin the P&S bits and reuse the template.
(I can never remember how to type accents, but my spellchecker obliged
with applique! Spellcheck is my friend!!)
Sally at the Seaside~~~~~~~~~~~~~uk
http://www.flickr.com/photos/sallyattheseaside/
Bobbie Sews More wrote:
show/hide quoted text
> Prehaps you mean the Freezer Paper instead of the plastic Press N Seal. The
> plastic will melt if you try to iron it.
> Barbara
>
>
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> The small project I'm doing right now is based on a Welsh pattern. The
> Welsh historically "butted" their edges instead of binding them, which
> looks really pretty. The Welsh also preferred longer stitches than the
> tight quilting we prize now. It just goes to show you, there's more than
> one way to make a beautiful, beloved quilt. "More than one way to skin a
> cat," as my mom would say.
> I've read a lot of stuff about some quilters load their needle with
> several stitches and others use a "show stitch" where the needle just
> punches up and down. I'm learning that I might as well use the stitching
> style I've used for for decades for my other needlework. Despite the fact
> that I'm right handed, I am used to having my right hand under the canvas
> (now, the quilt) and my left hand on top. I wear my thimble on my right
> ring finger, and I punch up and down. I'm quick this way -- as quick as I
> think I could ever get with loading my needle or changing my hands. I'm
> used to making even, neat stitches a lot more complicated than a running
> stitch this way. And I've been making my end knots the same way I do for
> embroidery and mending, but with a longer tail to crawl up into the
> batting after I drag the knot in. Whatever works, I figure. And I'm set
> in my ways. I propose to follow your example and do whatever I'm
> comfortable with and like the looks of.
> ep
>> Edna, most all the bed quilts I've made have been the very simple
>> checkerboard blocks, or rectangles surrounded by a plain color. My
>> cereal box template squares start at 4" and go up to 12". I also have
>> 1/2 squares in some sizes and also rectangles. I haven't gotten bold
>> enough to make the other type quilts. The bed quilts you might see on
>> "Little House on the Parrie" look "fancy" compared to mine. But my
>> quilts are loved and used---even the scrap quilts. I also have made the
>> panel quilts for cribs and simply birthed them, or just sew the edges
>> with the serger. HTH
>> Barbara in SC
>>>I thought I'd try my hand at making my own templates out of some plastic
>>>I had lying around and an exacto knife. To quote the immortal words of
>>>another quilter here in another context: "I'd rather rope goats." And
>>>the result is awful.
>>> It looks to me like the easiest way to mark fabric is to mark it before
>>> I quilt it, using a light box (or, in my case, a glass table-top) to
>>> trace the design on the fabric. (Unless, of course, I'm using
>>> store-bought templates, which seem to work pretty well.)
>>> What say you? (I apologize for re-covering ground that has doubtless
>>> been covered a zillion times before, here.)
>>> EP
>