|
Posted by Kate Dicey on October 13, 2006, 3:29 am
Joy Beeson wrote:
> On Wed, 04 Oct 2006 09:01:15 +0100, Kate Dicey
>
>
>>I use cotton thread for cotton and wool stuff, polyester for artificial
>>fibres and mixtures of wool/cotton and polyester, and silk for silk
>>fabrics. You'll need good quality threads: Mettler, Guttermann, and YLI
>>are names to look out for. Here in the UK I like Empress Mills as well,
>>and Sylco for cotton thread, but I hate Drima with a passion!
>
>
> In the U.S., at least, the best cotton sewing threads are still only
> three ply. The spool will be marked 50/3, which means that it's three
> "yarns" twisted together, and the yarns are fifty hanks to the pound.
> (Could be fifty "skeins", rather than "hanks". It's been a long time
> since I looked this up, and all I remember is that skeins and hanks
> are not the same; I have the vague impression that one is a fraction
> of the other, like pints and gallons.)
>
> For durable sewing, you need 100/6 cotton: six yarns that are each
> half as thick as the three yarns in 50/3. The only well-spun 100/6
> left on the market is a crochet/lacemaking thread called DMC Cordonnet
> Special: I buy it by mail order from lacemaker's supply vendors such
> as Snowgoose http://www.snowgoose.cc/ and Holly van Sciver
> http://www.vansciverbobbinlace.com/2Threads.html
>
> Since it's meant for lacemaking, it comes in a ball that has to be
> re-wound onto a spool; luckily I have a collection of old wooden
> spools that are big enough to take an entire ball, and a hand-cranked
> drill that makes the job reasonable.
>
> Cordonnet comes only in white and ecru, so there are times when I have
> to resort to weaker thread. When this happens I take a swatch to a
> particular clerk at the only fabric shop in town, and she walks
> straight to a spool I'd never have gotten around to considering. And
> she is authorized to unwind a spool to lay a thread across the swatch
> and make sure it really matches.
>
> (Pity they don't have fabric that I want: I have a vested interest in
> seeing these guys *prosper*. Luckily, the area appears to have an
> ample supply of patchwork makers (who for some reason call themselves
> "quilters"), who spend extravagantly on cotton prints. But (pout)
> "quilters" never use silk thread; even the well-informed clerk thought
> I wanted *rayon*!)
>
> There are times when a weaker thread is more durable than a stronger
> thread. For example, after patching a nightshirt, I sewed the pocket
> back on with two-ply basting thread: if he catches this pocket on a
> doorknob again, the pocket will rip off without tearing the
> nightshirt.
>
> Joy Beeson
I buy YLI and Aurifil cotton threads, which are readily available in the
US, and frequently used by quilters for both piecing and quilting. They
come in a full range of colours and are fine and very strong, being long
staple cottons. I use them without trouble for dressmaking, and,
indeed, prefer them over polyester for silk fabrics when I cannot get a
good match in silk thread.
50's count cotton threads are tad clumsy for fine dressmaking, but
excellent for hard wearing construction and top stitching. I usually go
for 50's count silk threads as 100's very fine and not quite strong
enough for some applications,. It makes wonderful embroidery thread and
is fantastic for fine buttonholes.
--
Kate XXXXXX R.C.T.Q Madame Chef des Trolls
Lady Catherine, Wardrobe Mistress of the Chocolate Buttons
http://www.katedicey.co.uk Click on Kate's Pages and explore!
|