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Posted by Olwyn Mary on October 25, 2007, 10:51 pm
gpjteri@gmail.com wrote:
> Dear Nancy,
>
> You need to experiment. The tricot you have can be used as an
> underlining for the entire jacket. However, if the jacket has lapels,
> you need something more supporting. If you decide to use hair canvas
> for the lapel and collar, cut off all of the seam allowance, and
> attach it by hand with all-over turkey stitches. If you can find it,
> fusible hair canvas is great, but I haven't been able to find it the
> last couple of years.
>
> Throw away the Pellon, or use it for costumes worn once. It's
> terrible, and should never be used in a tailoring project. You can
> experiment with some of the woven interfacings as well. Some of them
> seem to be flimsy, but have good staying ability. I think what I'm
> describing is called weft insertion.
>
> Something else I did for the last couple of jackets I made. I
> finished them the way menswear is finished. As you know, the collar
> is sewn to the front facing. The undercollar is sewn to the back neck
> of the jacket. Instead of fighting all of this under the needle, I
> pressed under the seam allowances on the lapel facing and upper
> collar, then hand sewed the under collar to the upper collar. Sharp
> corners and perfect lapels were the result. I'll always do this now.
>
> Teri
>
Teri: Can you give us some brand names or other specifics? I have just
about given up on fusibles, because all of the ones I can buy at either
Hancock's or JoAnn's seem to pucker terribly, even though I am careful
to pre-shrink them first. As a result, I am using either sew-in
interfacing, or simply using various fabrics as interlinings.
Olwyn Mary in New Orleans.
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